Organ Biography > Places and Organs > Australia > Victoria > Melbourne > Town Hall
Details of Town Hall, Melbourne, Victoria, Australia
1870
Manuals | Stops | Ranks | Couplers | Action |
4 | 66 | 66 | 8 | - |
I. Choir ( CC-c4 61 notes) |
1. | Bourdon | 16' | |
2. | Salicional | 8' | |
3. | Dulcian | 8' | |
4. | Gedact | 8' | metal treble. |
5. | Gamba | 4' | |
6. | Principal | 4' | |
7. | Gemshorn Twelfth | 2 2/3' | |
8. | Gemshorn Harmonic | 2' | |
9. | Dulcian Mixture | II | |
10. | Clarionet | 8' | |
i | Swell to Choir | | |
II. Great ( CC-c4 61 notes) |
11. | Double Open Diapason | 16' | |
12. | Bourdon | 16' | |
13. | Open Diapason | 8' | |
14. | Open Diapason | 8' | |
15. | Gamba | 8' | |
16. | Stopped Diapason | 8' | |
17. | Principal | 4' | |
18. | Principal | 4' | |
19. | Harmonic Flute | 4' | |
20. | Twelfth | 2 2/3' | |
21. | Fifteenth | 2' | |
22. | Mixture | IV | |
23. | Mixture | III | |
24. | Double Trumpet | 16' | |
25. | Posaune | 8' | |
26. | Trumpet | 8' | |
27. | Clarion | 4' | |
ii | Swell to Great | | |
iii | Swell sub-octave to Great | | |
iv | Choir sub-octave to Great | | |
v | Solo to Great | | |
III. Swell ( CC-c4 61 notes) |
28. | Bourdon | 16' | |
29. | Open Diapason | 8' | |
30. | Cone Gamba | 8' | |
31. | Pierced Gamba | 8' | |
32. | Stopped Diapason | 8' | metal treble. |
33. | Principal | 4' | |
34. | Suabe Flute | 4' | |
35. | Twelfth | 2 2/3' | |
36. | Fifteenth | 2' | |
37. | Mixture | IV | |
38. | Double Trumpet | 16' | |
39. | Cornopean | 8' | |
40. | Oboe | 8' | |
41. | Clarion | 4' | |
IV. Solo ( CC-c4 61 notes) |
42. | Lieblich Bourdon | 16' | (tenor c) |
43. | Harmonic Flute | 8' | wood bass. |
44. | Vox Angelica | II (8') | (tenor c) |
45. | Flute Octaviante | 4' | |
46. | Piccolo | 2' | |
47. | Glockenspiel | II | (tenor c) |
48. | Bassoon | 16' | (tenor C) |
49. | Clarionet | 8' | |
50. | Orchestral Oboe | 8' | (tenor c) |
51. | Vox Humana | 8' | |
52. | Oboe Clarion | 4' | |
53. | Tuba Mirabilis | 8' | |
54. | Tuba Mirabilis | 4' | |
55. | Tremulant | | |
Pedal ( CCC-F 30 notes) |
56. | Double Open Diapason | 32' | metal. |
57. | Open Diapason | 16' | metal. |
58. | Open Diapason | 16' | wood. |
59. | Bourdon | 16' | |
60. | Quint | 10 2/3' | |
61. | Principal | 8' | |
62. | Violon | 8' | |
63. | Twelfth | 5 1/3' | |
64. | Fifteenth | 4' | |
65. | Mixture | III | |
66. | Trombone | 16' | |
67. | Clarion | 8' | |
vi | Choir to Pedal | | |
vii | Great to Pedal | | |
viii | Swell to Pedal | | |
1904
Organ History |
1904 | Ingram & Co. of Hereford |
1927 | Destroyed in fire |
Status |
Destroyed |
Sources |
Herbert Westerby - “The Complete Organ Recitalist” - Musical Opinion, 1927, London |
The Musical Times 763 |
Manuals | Stops | Ranks | Couplers | Action |
5 | 81 | 80 | 27 | EP |
I. Choir (Electro-pneumatic CC-c4 61 notes) |
1. | Bourdon | 16' | |
2. | Salicional | 8' | |
3. | Dulciana | 8' | |
4. | Gedackt | 8' | |
5. | Viol d’Orchestre | 8' | |
6. | Phoneuma | 8' | |
7. | Principal | 4' | |
8. | Triangular Flute | 4' | |
9. | Tibia Dura | 4' | |
10. | Clarinet | 8' | |
i | Swell to Choir | | |
ii | Solo to Choir | | |
iii | Solo to Choir 2nd touch | | |
II. Great (Electro-pneumatic CC-c4 61 notes) |
11. | Double Open Diapason | 16' | |
12. | Bourdon | 16' | |
13. | Diapason Phonon | 8' | |
14. | Open Diapason | 8' | |
15. | Open Diapason small | 8' | |
16. | Tibia Plena | 8' | |
17. | Tibia Clausa | 8' | |
18. | Gamba | 8' | |
19. | String Gamba | 8' | |
20. | Muted Viol | 8' | |
21. | Dulciana | 8' | |
22. | Principal | 4' | |
23. | Harmonic Flute | 4' | |
24. | Twelfth | 2 2/3' | |
25. | Fifteenth | 2' | |
26. | Double Trumpet | 16' | |
27. | Posaune | 8' | |
28. | Trumpet | 8' | |
29. | Clarion | 4' | |
iv | Swell octave to Great | | |
v | Swell to Great | | |
vi | Swell sub-octave to Great | | |
vii | Swell to Great 2nd touch | | |
viii | Choir octave to Great | | |
ix | Choir to Great | | |
x | Choir sub-octave to Great | | |
xi | Solo to Great | | |
xii | Solo to Great 2nd touch | | |
III. Swell (Electro-pneumatic CC-c4 61 notes) |
30. | Bourdon | 16' | |
31. | Diapason Phonon | 8' | |
32. | Open Diapason | 8' | |
33. | Open Diapason small | 8' | |
34. | Lieblich Gedackt | 8' | |
35. | Viol d’Orchestre | 8' | |
36. | Salicional | 8' | |
37. | Voix Celeste | 8' | (tenor c) |
38. | Principal | 4' | |
39. | Suabe Flute | 4' | |
40. | Quintadena | 4' | |
41. | Double Trumpet | 16' | |
42. | Cornopean | 8' | |
43. | Oboe | 8' | |
44. | Clarion | 4' | |
45. | Tremulant | | |
46. | Tibia Plena | 8' | |
xiii | Swell octave | | |
xiv | Solo to Swell | | |
xv | Solo to Swell 2nd touch | | |
xvi | Choir to Swell | | |
xvii | Choir to Swell 2nd touch | | |
IV. Solo (Electro-pneumatic CC-c4 61 notes) |
47. | Lieblich Bourdon | 16' | |
48. | Harmonic Flute | 8' | |
49. | Vox Angelica | 8' | |
50. | Flute Octaviante | 4' | |
51. | Piccolo | 2' | |
52. | Glockenspiel | II | |
53. | Bassoon | 16' | |
54. | Clarinet | 8' | |
55. | Orchestral Oboe | 8' | |
56. | Oboe | 8' | |
57. | Vox Humana | 8' | |
58. | Tuba Mirabilis | 8' | |
59. | Tuba Mirabilis | 4' | |
60. | Tremulant | | |
61. | Carillon | | |
62. | Tibia Plena | 8' | |
xviii | Solo octave | | |
xix | Choir to Solo | | |
xx | Choir to Solo 2nd touch | | |
V. Echo (Electro-pneumatic CC-c4 61 notes) |
63. | Viol d'Orchestre | 8' | |
64. | Viol d'Amour | 8' | |
65. | Vox Angelica | 8' | (tenor c) |
66. | Flauto Traverso | 4' | |
67. | Orchestral Oboe | 8' | |
68. | Vox Humana | 8' | |
69. | Tremulant | | |
xxi | Echo octave | | |
xxii | Choir to Echo | | |
Pedal (Electro-pneumatic CCC-F 30 notes) |
70. | Open Diapason | 32' | |
71. | Tibia Profundissima | 32' | |
72. | Open Diapason | 16' | |
73. | Tibia Profunda | 16' | |
74. | Bourdon | 16' | |
75. | Viol d’Orchestre | 16' | |
76. | Quint | 10 2/3' | |
77. | Principal | 8' | |
78. | Tibia Plena | 8' | |
79. | Tibia Clausa | 8' | |
80. | Violin | 8' | |
81. | Fifteenth | 4' | |
82. | Ophicleide | 32' | |
83. | Trombone | 16' | |
84. | Clarion | 8' | |
xxiii | Choir to Pedal | | |
xxiv | Great to Pedal | | |
xxv | Swell to Pedal | | |
xxvi | Solo to Pedal | | |
xxvii | Echo to Pedal | | |
1928
Organ History |
1928 | Built by Hill, Norman & Beard |
Status |
Unknown |
Sources |
Herbert Westerby - “The Complete Organ Recitalist” - Musical Opinion, 1927, London |
Manuals | Stops | Ranks | Couplers | Action |
4 | 111 | - | 47 | - |