Biographical Dictionary of the Organ
Organ Biography > Places and Organs > USA > Pennsylvania > Philadelphia > St. Mark’s (Episcopal)
| Organ History | |
|---|---|
| 1902 | Austin |
| Status | |
| Unknown | |
| Sources | |
| Herbert Westerby - “The Complete Organ Recitalist” - Musical Opinion, 1927, London | |
| The Musical Times 716 | |
| Manuals | Stops | Ranks | Couplers | Action |
|---|---|---|---|---|
| 4 | 64 | 64 | 18 | T/EP |
| I. Choir (Lady Chapel Organ) ( CC-c) | |||
|---|---|---|---|
| Great (Electro-pneumatic) | |||
| 1. | Open Diapason | 8' | |
| 2. | Dulciana | 8' | |
| 3. | Lieblich Flöte | 8' | |
| 4. | Gemshorn | 4' | |
| 5. | Piccolo | 2' | |
| Swell (Electro-pneumatic) | |||
| 6. | Flauto Traverso | 8' | |
| 7. | Echo Salicional | 8' | |
| 8. | Unda Maris | 8' | |
| 9. | Harmonica | 8' | |
| 10. | Zart Flöte | 4' | |
| 11. | Bassoon | 16' | |
| 12. | Orchestral Oboe | 8' | |
| 13. | Clarinet | 8' | |
| 14. | Tremulant (Swell) | ||
| i | Solo to Choir Unison | ||
| ii | Solo to Choir Super | ||
| iii | Swell to Choir Unison | ||
| iv | Swell to Choir Super | ||
| v | Choir Super | ||
| II. Great ( CC-c) | |||
| First division (Electro-pneumatic) | |||
| 15. | Major Diapason | 16' | |
| 16. | Principal Diapason | 8' | |
| 17. | Open Diapason | 8' | |
| 18. | Dolce Diapason | 8' | |
| 19. | Claribel Flute | 8' | |
| 20. | Octave | 4' | |
| 21. | Grave Mixture | II | |
| Second division (Electro-pneumatic) | |||
| 22. | Violoncello | 8' | |
| 23. | Doppel Flöte | 8' | |
| 24. | Harmonic Flute | 4' | |
| 25. | Great Mixture | V | |
| 26. | Trombone | 16' | |
| 27. | Tromba | 8' | |
| 28. | Clarion | 4' | |
| vi | Choir to Great Sub | ||
| vii | Choir to Great Unison | ||
| viii | Swell to Great Unison | ||
| ix | Swell to Great Super | ||
| x | Solo to Great Unison | ||
| III. Swell (Electro-pneumatic CC-c) | |||
| 29. | Contra Gamba | 16' | |
| 30. | Open Diapason | 8' | |
| 31. | Geigen Principal | 8' | |
| 32. | Viole d’Orchestra | 8' | |
| 33. | Viole Celeste | 8' | |
| 34. | Rohr Flöte | 8' | |
| 35. | Octave | 4' | |
| 36. | Spitz Flöte | 4' | |
| 37. | Flageolet Harmonic | 2' | |
| 38. | Mixture | IV | |
| 39. | Contra Posaune | 16' | |
| 40. | Horn | 8' | |
| 41. | Oboe | 8' | |
| 42. | Clarion | 4' | |
| 43. | Tremulant | ||
| xi | Swell Sub | ||
| xii | Swell Super | ||
| IV. S ( CC-c) | |||
| Echo (Tracker) | |||
| 44. | Viola | 8' | |
| 45. | Angelica | 8' | |
| 46. | Lieblich Flöte | 8' | |
| 47. | Vox Humana | 8' | |
| 48. | Corno di Bassetto | 8' | |
| 49. | Tremulant (Echo) | ||
| Solo (Tracker) | |||
| 50. | Great Diapason | 8' | |
| 51. | Harmonic Flute | 8' | |
| 52. | Tuba Mirabilus | 8' | |
| xiii | Solo Sub | ||
| xiv | Solo Super | ||
| Pedal ( CCC-g) | |||
| Choir (Electro-pneumatic) | |||
| 53. | Sub Bass | 16' | |
| 54. | Dolce | 16' | |
| 55. | Viole d’Amour | 8' | |
| Nave (Electro-pneumatic) | |||
| 56. | Major Bass | 32' | |
| 57. | Open Bass | 16' | |
| Chancel (Electro-pneumatic) | |||
| 58. | Great Bass | 16' | |
| 59. | Contra Bass | 16' | |
| 60. | Violone Bass | 16' | |
| 61. | Sub Bass | 16' | |
| 62. | Great Flute | 8' | |
| 63. | Violoncello | 8' | |
| 64. | Viole d’Amour | 8' | |
| 65. | Bombard | 16' | |
| 66. | Bassoon | 16' | |
| 67. | Tuba | 8' | |
| xv | Choir to Pedal | ||
| xvi | Great to Pedal | ||
| xvii | Swell to Pedal | ||
| xviii | Solo to Pedal | ||
| List of Organists | |
|---|---|
| Henry Stephen Cutler (1825-1902) | |
| 1859 | John Welch (-1859) |
| 1875 | J. Kendrick Pyne (1852-1938) |
| 1881- | Minton Pyne (1855-1905) |
| 1888 | John McE Ward |
| H. William Hawke (1895-) | |