Organ Biography > Places and Organs > England > Windsor > St. George’s Chapel
Organ History | |
---|---|
1663 | Built by Ralph Dallam |
Moved to St. Martin’s-in-the-Fields, Trafalgar Square, St. James, Westminster, London, England | |
Status | |
Unknown | |
Sources | |
The Musical Times 801 |
Manuals | Stops | Ranks | Couplers | Action |
---|---|---|---|---|
1 | 7 | 8 | - | - |
Great ( GG-d3 52 notes) | |||
---|---|---|---|
1. | Open Diapason | ||
2. | Stopped Diapason | ||
3. | Principal | ||
4. | Twelfth | ||
5. | Fifteenth | ||
6. | Cornet | III | |
7. | Trumpet (bass) | ||
8. | Trumpet (tenor) |
Organ History | |
---|---|
1704 | Built by Bernard Smith |
1789 | Moved to Parish Church, Old Windsor, England |
Status | |
Unknown | |
Sources | |
Herbert Westerby - “The Complete Organ Recitalist” - Musical Opinion, 1927, London | |
Hopkins & Rimbault - “The Organ: Its History and Construction - A Comprehensive Treatise on the Structure and Capabilities of the Organ” - Robert Cocks & Co., 1877, London |
Organ History | |
---|---|
1790 | Built by Green |
1855 | Rebuilt & enlarged by Gray & Davison |
Status | |
Unknown | |
Sources | |
Herbert Westerby - “The Complete Organ Recitalist” - Musical Opinion, 1927, London | |
“Dictionary of Organs and Organists” - George Mate & Son, 1921 | |
The Musical Times 801 | |
Hopkins & Rimbault - “The Organ: Its History and Construction - A Comprehensive Treatise on the Structure and Capabilities of the Organ” - Robert Cocks & Co., 1877, London |
Manuals | Stops | Ranks | Couplers | Action |
---|---|---|---|---|
3 | 32 | 33 | 4 | T |
I. Choir | |||
---|---|---|---|
1. | Dulciana | (FF) | |
2. | Stopped Diapason | ||
3. | Principal | ||
4. | Octave Flute | ||
5. | Keraulophon | ||
6. | Bassoon | ||
7. | Clarionet | ||
II. Great | |||
8. | Open Diapason | ||
9. | Open Diapason | ||
10. | Stopped Diapason | ||
11. | Clarabella Flute | ||
12. | Principal | ||
13. | Twelfth | ||
14. | Fifteenth | ||
15. | Sesquialtera | III | |
16. | Mixture | II | |
17. | Trumpet (tenor) | ||
18. | Trumpet (bass) | ||
19. | Clarion | ||
i | Swell to Great | ||
III. Swell | |||
20. | Double Diapason | ||
21. | Open Diapason | ||
22. | Stopped Diapason | ||
23. | Dulciana | ||
24. | Dulciana Principal | ||
25. | Principal | ||
26. | Fifteenth | ||
27. | Sesquialtera | III | |
28. | Cornopean | ||
29. | Hautboy | ||
30. | Trumpet | ||
31. | Clarion | ||
Pedal | |||
32. | Double Open Diapason | 24' | |
33. | Open Diapason | 12' | |
ii | Choir to Pedal | ||
iii | Great to Pedal | ||
iv | Swell to Pedal |
Organ History | |
---|---|
1882 | Rebuilt & enlarged by Gray & Davison |
Status | |
Unknown | |
Sources | |
“Dictionary of Organs and Organists” - George Mate & Son, 1921 | |
The Musical Times 801 |
Manuals | Stops | Ranks | Couplers | Action |
---|---|---|---|---|
4 | 42 | 42 | - | P |
I. Choir (Pneumatic CC-a3 58 notes) | |||
---|---|---|---|
1. | Dulciana | 8' | metal. |
2. | Keraulophon | 8' | metal. |
3. | Stopped Diapason | 8' | wood. |
4. | Viol d’Orchestra | 8' | metal. |
5. | Flute | 4' | wood. |
6. | Piccolo | 2' | metal. |
7. | Corno di Basettp | 8' | metal. |
II. Great (Pneumatic CC-a3 58 notes) | |||
8. | Double Open Diapason | 16' | metal. |
9. | Open Diapason I | 8' | metal. |
10. | Open Diapason II | 8' | metal. |
11. | Stopped Diapason | 8' | wood. |
12. | Clarabella | 8' | wood. |
13. | Principal | 4' | metal. |
14. | Harmonic Flute | 4' | metal. |
15. | Twelfth | 2 2/3' | metal. |
16. | Fifteenth | 2' | metal. |
17. | Piccolo | 2' | metal. |
18. | Sesquialtera | III | metal. |
19. | Posaune | 8' | metal. |
20. | Clarion | 4' | metal. |
III. Swell (Pneumatic CC-a3 58 notes) | |||
21. | Lieblich Bourdon | 16' | wood. |
22. | Open Diapason | 8' | metal. |
23. | Stopped Diapason | 8' | wood. |
24. | Dulciana | 8' | metal. |
25. | Vox Celestis | 8' | metal. |
26. | Principal | 4' | metal. |
27. | Octave Dulciana | 4' | metal. |
28. | Fifteenth | 2' | metal. |
29. | Mixture | III | metal. |
30. | Contra Fagotto | 16' | metal. |
31. | Oboe | 8' | metal. |
32. | Cornopean | 8' | metal. |
33. | Vox Humana | 8' | metal. |
34. | Clarion | 4' | metal. |
IV. Solo ( CC-a3 58 notes) | |||
Enclosed (Pneumatic) | |||
35. | Orchestral Oboe | 8' | metal. |
Unenclosed (Pneumatic) | |||
36. | Harmonic Flute | 8' | metal. |
37. | Tromba | 8' | metal. |
Pedal (Pneumatic CCC-F 30 notes) | |||
38. | Open Diapason | 16' | wood. |
39. | Violone | 16' | metal. |
40. | Bourdon | 8' | wood. |
41. | Flute | 8' | metal. |
42. | Trombone | 16' | wood. |
Organ History | |
---|---|
1913 | Rebuilt |
Status | |
Unknown | |
Sources | |
Herbert Westerby - “The Complete Organ Recitalist” - Musical Opinion, 1927, London | |
“Dictionary of Organs and Organists” - George Mate & Son, 1921 |
Manuals | Stops | Ranks | Couplers | Action |
---|---|---|---|---|
4 | 42 | - | 7 | - |
List of Organists | |
---|---|
1406 | Walter Whitby |
1415 | Laurence Dreweryn |
1441 | John Wederby |
1461 | Thomas Rolfe |
1469 | Robert Cotyngham |
1473 | William Browne |
1476 | Thomas Rolfe |
1496 | Richard Wood |
c1530-c1585 | John Marbeck (1523-1585) |
c1547 | George Thaxton |
1558-63 | Thomas Preston (1500-1564) |
c1563 | Robert Golder |
1564-80 | Richard Farrant (1525-1580) |
1585-1633 | Nathaniel Giles (1558-1633) |
1586-1630 | John Mundy (-1630) |
1632-97 | William Child (1606-1697) |
1697-1719 | John Goldwin (1670-1719) |
1719-56 | J. Pigott (-1762) |
William Webb (1720-1788) | |
1756-88 | Edward Webb (1650-1788) |
1785 | Thomas Carter (1735-1804) |
1788-1801 | Theodore Aylward (1730-1801) |
1801-24 | William Sexton (1764-1824) |
1824-30 | Karl F. Horn (1762-1830) |
1830-35 | Highmore Skeats (1787-1835) |
1835-82 | George Elvey (1816-1893) |
1882-1924 | Walter Parratt (1841-1924) |
1927-32 | H. Walford Davies (1869-1941) |
1932 | Charles Hylton Stewart (1884-1932) |
1933-61 | W. H. Harris (1883-1973) |
1961-74 | Sidney S. Campbell (1909-1974) |
1974-91 | Christopher Robinson (1936-) |
1991-2002 | Jonathan Rees-Williams (1949-) |
2002-04 | Roger Judd |
2004-13 | Timothy Byram-Wigfield |
List of Assistant Organists | |
---|---|
1662-64 | Benjamin Rogers (1614-1698) |
James Nares (1715-1783) | |
William Sexton (1764-1824) | |
1846-53 | Edward H. Thorne (1834-1916) |
1867-71 | John H. Gower (1855-1922) |
1867-75 | Charles Hancock (1852-1927) |
1885-90 | H. Walford Davies (1869-1941) |
Alfred J. Silver (1870-1935) | |
1908-10 | Harold Rhodes (1889-1956) |
1924-32 | Malcolm Courtney Boyle (1902-1976) |
1932-45 | Alwyn Surplice (1906-1977) |
1941-45 | John Charles Stirling Forster (1915-) |
1946-49 | Philip Harold Moore (1921-) |
1950-54 | Lionel Dakers (1924-2003) |
1968- | John Manley Morehen (1941-) |
List of Organ Scholars | |
---|---|
Adrian Partington | |
Emily India Evans | |
Ben Bloor | |
Francesca Massey | |
Jonathan Lilley | |
Graham Elliott (1945-) | |
Andrew Nethsingha (1968-) | |
Iain Farrington (1977-) | |
Jonathan Vaughn (1981-) | |
2006 | Peter Stevens (1987-) |
Joseph Beech (1994-) |
List of Other Organists | |
---|---|
1899- | H. G. Ley (1887-1962) |
Harold Gregson (1880-) | |
1910 | Bruce D. Hylton Stewart (1891-1972) |
1916-17 | Morgan Nicholas (1895-1963) |
1929-67 | Cyril Frank Simkins (1902-) |